The Diamond Island

For a long while I’ve been seeking an experience of The Diamond Island. That is, a mountain peak that exists within my inner world. Now I see that I’m already on the mountain. The things I was looking at were reflections of what was already there.

The black hole through space is a journey through the maelstrom of destruction, where what is true comes out the other side to a new existence. In the process many things are redeemed and made clear.

I’ve been fighting my ass off, struggling with opponents much stronger than I think I am. Both personal and collective engagements with the realities of my life, with different obstacle courses and challenges to pass through and overcome.

There are mysterious sources of power within myself I don’t fully understand. Yet somehow they come through for me, get me to the next pit stop and show me ways to push the limits of my being when I feel I haven’t any more to put into the work.

I’m listening to the personalities that help me run this psychic mechanism I use to get myself through the world. I have a lot of work to do there—people are unhappy with some of the stances I’ve taken and the way I go about things.

I don’t know where the UFO will land, other than home. Part of the stress I feel is in not knowing how things will end up, as the process is very much a push and pull in multiple directions at once. It will lead things to the right path, but it’s just one of those things you can’t predict until it happens.

Going over how to make things that are important to me now that I’m ready. Lucerna’s Mother-Mary-Personal-Helper training has given me something to focus on. Music helps me understand, but the practice is going to be a long one.

Out of the sea comes a nourishing goblet. Learning to drink from this source of refreshment, cultivate myself before I can encourage others.

I see that I do have an effect on the world around me. The places I find are brought out of myself. The things that move or are demolished are of a mind from me. Maybe they were messed up? Maybe things that reappear are okay now? The things I find will not be wrong.

The humming of bees, the helping of bees, the signs that bees are coming to the forefront of consciousness. This is important stuff.

The realization that the land inside me needs a brute conqueror king to bring the bounty out. My self image doesn’t like this figure, yet I manifest him anyway regardless of my hang-ups. To resist is only to become dishonest and incompetent.

A revelation of my personal destiny comes into view, right in front of me all this time. The signposts and helpers were there in abundance showing me the way: Imagination, family, and masculinity are the core of my being.

Movement and non-movement are also a part of this. I need to become more physical in my activity so that I can be at rest more wholly. A king needs a traveling the realm meditation to do his work properly. I must have been blind not to see this, yet again it happened with or without my knowledge. Better for me to see it now and make it a part of my conscious life.

I’m saying yes to many many things. I’m also learning to say fuck off to a lot of things I don’t need anymore.

The posts have been scant of late mainly because I’ve been embroiled in the Battle of the Galaxies. Anything that shows up here has been what extra my psychic engineer has been able to coax out of the warp engines, so to speak.

This has been one Hek of an inner-stellar conflict. The entirety of the Booey Fleet versus the forces of the Gingerbread Witch. Several times now I was sure I’d been beat, only to bounce back into the fray with a renewed process.

I’ve been building a brick wall of the mind, followed by a brick oven of the windy spirit with which to throw that Gingerbread Witch into. I found suitable divine fuel in the form of the bountiful Ace of Wands bursting forth with Spring luck and potency. I’m going to blast that witch into ashes and smoke with healing fire ignited from my deepest soul.

That’s all I’m capable of doing now. It’s the only way to live my life and let those who love me live theirs. Everything else I tried bounced off her like dynamite or missile explosions against the giant tarantula. A psychic napalm of lava-storm is all I got left.

Kicked that Gingerbread Witch into the oven and I’ve shut the hatch! I never wanted to do this, but here I go. It’s time.

There is a flash of lightning, followed by the boom of thunder. The brick oven fire is ignited!

Here we go.

I haven’t done a menagerie daily life post in a while, so guess what? Menagerie!

The Battle of the Galaxies, my catch-phrase for the crazy adventure both psychic and non-psychic in which I find myself, continues on. Killer bees, patrol fighters, special assistance cruisers, attack armor, and mega-units. All sorts of constructs are assisting me in the battle.

Plus, I have numerous friends galore helping out with the assist. The famous fifty; love to ya’ll and shout out holler of respect! Hey, every ship and every thought transmission counts here.

The thing about PDX is that it’s essentially a gingerbread house populated by a gigantic witch energy being. All the groovy and delicious wonders of the land are yours to partake of, but you got to give a pound of flesh to the witch first. That means a bloodsucking freak pipeline to your wallet as well as your state of mind.

And holy crumbcake is this entity hungry!

I’ve been busy though, and I haven’t missed much. Figured out who the backstabbers are. Got a handle on how to get help if I need it from the most unlikely of locales. And I even have a plan now that I’ve got an idea of what to focus on and what to ignore.

If nothing else the battle has been worth the trouble because of what I’ve recovered from the past and recognized in the present. This is huge. That frees up energy I hadn’t even known was blocked. It sets me free to do things I hadn’t thought possible. The hold has got some loot I didn’t expect.

I’m whole.

But even though I’m doing everything possible, leaving no option off the table in my battle plan, ultimately I’m at the mercy of luck. This is one of those crazy and courageous ventures you make because you need to, not because it makes sense or is even a sane thing to do.

That gingerbread witch is a large collective entity that needs healing on a massive scale. I’m going all out with maximum warp AND shields, but while she’s taken some hilarious point blank pranks that witch is still ready to party.

It isn’t just me. K has noticed it too and is a little surprised at this plot twist. I see others struggling against the gingerbread witch of PDX as well: regular shakedowns of their live brains and ducats. That battle-ax doesn’t jack everyone exactly the same, but the fear is still there at the base of their spines.

Things are certainly looking bleak, but I still have a few surprises up my sleeves. If I can’t do this now then I could never have done it, and yet I believe now I was correct many years ago in my initial approach to the battle. I just didn’t have enough strength back then. Maybe I don’t even now. But right now anything goes. Watch out!

In the meantime, I’m mining for gold and doing my work despite the duh-buddies, draguloids, and hidden units. My purpose is still the same: To do what I’m meant to do while I’m alive, for the sake of all beings.

I understand that I’m being vague here. It’s hard to be clearer and more accessible when things are so difficult and all-at-once. I’m in the middle of things and doing tremendous work in the realm of the mysterious.

Then again, maybe the point isn’t to defeat the gingerbread witch physically and psychically, or even affect her such that she stops jacking people who live here. By stealing back what was mine, I’ve outwitted her and she can never forget it was me who tricked her.

And just like that, I won.

Traveling carnivals and liminal spaces; mix well to create a mystery ride.

I played an amusement park game for kicks because I’m a sitting duck when it comes to the carnie pitch. Strangely enough, I won an emerald ticket to the mermaid tent and found myself reading a most curious book.

It is presented as a diary of impressions, with evocative photographs that offer a theme to each chapter. You are pulled along by the narrative and facedwith an organic labyrinth of the senses that rapidly disorients and alarms.

The reader and protagonist switch points of view; at times you are the voyeur, other times you are participant. How ghastly! The horror is imminent and personal. Denial or humor may dull the pain.

The only cure is to listen. Under the immediate tumult is the story of an anxious and compelling internal experience; a young woman discovering her shadow and the trauma of understanding her soul’s growth.

Dive into the depths and what you really have is the journey of Kore through the underworld. Plunge, hunt, rise. This is hard core stuff. People lose minds, innocence and teeth on journeys like these. Sometimes they don’t even leave a corpse.

To allow ourselves to feel for another is to open the door to terrible risk. Invasion by a vampire or a bluebeard are just one possibility. We might be swept away by divine brutality and carried off into an otherworld which is beyond human understanding.

It’s distressingly relevant today. Having an experience of the mermaid and the unredeemed passions of the underworld without being blasted to pieces is a serious human issue. All of us are in need of wizards who can show us what is in our being and how it is understood. Making more conscious choices might be the best tool we have.

The author is no slouch. She can craft a solid sentence and handle the whopper fish with the respect and skill for the inner ocean that makes it look easy. Her grasp of photography is stunning when you consider how much goes into the capture of a compelling image.

I had to dig around though; something told me this kung fu master had a few more concealed tricks in reserve. Multimedia competency and honed artistic talent are impressive accomplishments, but I felt I was missing some context.

To say the author knows her stuff is an understatement. Looking up photos from the book on her Flickr sets or watching the YouTube videos she’s posted, it gradually becomes clear to me she has a Leonardo’s Workshop thing going on. Master model of disguise, Doctor of creativity, Sage of academic standards, Ace crafter—I could go on, but I’m satisfied.

The book reaches me on a personal level because I’ve been through the underworld myself. Finding the other you is no mean feat. I have to admit I was afraid of where the book was going about half way through—finding one’s way to the center and out again often seems to me to be a rare moment in art. How exciting to see that I’m not alone!

The turbid darkness of it does make for some tough reading. Prose like this needs to be savored, and reexamined in order to extract the full meaning. In real life the labyrinth is a constant series of marking and re-marking of your path. I just don’t know if I could come back to this book; it’s that harrowing.

Indeed, the text itself indicates that the heroine hates aspects of the journey, that she wants it to be over with. Don’t I know it—preach sister! One ticket is enough for anyone, just like an everlasting gobstopper.

It’s too soon to tell with a work like this whether the text is built like that or whether there really is bounty. There are works of art that make a mark on you, and you don’t need to experience them again because they have served their purpose. Either way is valid, and worth whatever you paid for your psychic increase.

Remove the glamor and you have something most freakish: something ordinary and wholesome. Real food that feeds the soul and restores us to ourselves. Superbly well done.

5 out of 5 stars of the Magi.

A while ago I decided to explore my own Tomb of Horrors, thanks to some helpful exposure osmosis insights from my trusty Chimera friend Shanna Mann. After some meandering about with various ingredients I am starting to build a formula of exploration.

I was going to put out an ad for a psychological being to handle the specifics, but this dude came knocking at my door as soon as the commitment formed in my brain. After some dialogue of a sort using mysterious hand signals and lip reading apparatus I believe we have come to an accord.

We’ve leased some imaginary property from a psychic patron in a settlement suitable for our needs. I had no idea such a town was located near the Diamond Island! Hidden treasures everywhere you look, if you see with the eyes of joy.

Of course, the inhabitants are going to be mighty surprised to see all this sudden activity in their accustomed unconscious existence. What can I say, I am shining a candle in my own individual way and this is where it has led me. There may be benefits as well as difficulty.

I have decided to explore, through the exploits of my new found friend, the role of horror host. He will be doing this in his own particular way, according to his own individual stance. I will, of course, be responsible for his actions as his conscious manager.

To this effect I have created a secret door to our mutual venture. The password will be most easily obtained by those with the secret decoder wheel, which is part of my Sooper Fun Pak currently only available on my Facebook fan page. by request.

So stay tuned for more tidbits, and if you are one of the fortunate folks to have a password wheel at your disposal (or have a small microchip brain for ciphers) you may be entertained!

Hello, you can call me Birdman. My real name is a series of squawks and cheeps, so for the sake of ease you can use a name others have utilized for their own benefit.

I have come to inform you that Paul Tristan Fergus is temporarily indisposed. Something about a UFO and dimensional engineering feats involving object packages. A whole lot of technical stuff that quite frankly is for the birds if you ask me. Give me some tasty snacks and a brisk wind on a clear sunny day and I am happy chickadee.

Some of you may have noticed a gradual slowdown in posts here, with a general focusing on bizarre psychological adventures. I assure you this has been quite normal and intended! My fine un-feathered friend has been subjected to a great deal of stress, the misery of which has required his utmost attention to transform into usable materials for the refinement of his quest objectives.

It’s perfectly understandable if some of you have wondered about the sanity or stability of our illustrious super fool. Fear not! Such chills and thrills appear to be part of the general program, or ride, or process. At least, if I’m not a bird-brain and have got it all wrong!

Hold tight, the suspense is in not knowing if the magician is really juggling anti-matter while eating peanut butter cups or is pulling your leg. Oops, is that a real bloody stump or ketchup?

Eeegah aieee ooooeeahh!

In the meantime, you may rely on me to keep the lights on and the oxygen scrubbers pulsating. I will do my best to be a good egg—I have ordered an extra pair of dignity pants so that when I go flying off the cuff I won’t be a dirty birdie! You are all in good talons, rest assured.

For now, kick back, and listen to the transwarp hyperspace jumpspice stargate mechanisms making for a Hek of a fabulous and fantastical display of transformational transmutation of a most winged kind.

The Celtic new year has just gotten underway, and here I am a little dazed at the last year of activity. Never mind all the nuclear meltdowns spewing radiation from afar, east coast earthquakes that feel like a jackhammer wedging of earth, hurricanes of doom missing by a few hundred feet, and rainfall soaking the loch above levels I’ve not seen since I can remember. The external world has been an expression of an inner volcano clearing its throat for an eruption.

Building a UFO can seem a little like a Noah’s Ark project at times like these.

Internally, all my life energies have gone into deep, sweeping currents rushing through the earth. I’ve had to get by on emergency life support and reserve warp only. Right at a time when I’ve been fighting a lot of battles on the home front. Lucerna’s kung fu lessons have basically kept me alive long enough to adapt to the transformational energies going on. The last year has essentially been panic and fear, dialed way up for sustained periods of time. The blinking and beeping lights on the emergency panel have been loud and overwhelming.

Thank goodness for the life support music from UFO girl!

In other news, it ain’t just me. Hek-sistah X is off on a retreat to re-visit places of great meaning to her, Hexe the Incorrigible is recovering from illness, and Alexi is busy fighting for his dream in a new land. The Quest Station is full of notes and doodles galore, all around adventure is ON THE GHOD-DAM AIR.

The garden is in shut down procedure, cats are in snuggle mode, and the honeycomb hideout and killer bees are settling in for the long winter. And it’s going to be a doozy—ran into a wooly bear and it had no orange stripes, which means you better be stocked in the larder and armed with plenty of anti-ice-weasel traps. Ol’ winter wolf has reared up dramatically and her howl is driving away the last of the summer lifeforce. Batten down the hatches and brace for impact at your stations of the cross, icy depth charges ahoy.

I made sure to give out lots of candy to the monsters dressed as humans and the kids dressed as monsters, while I still have candy to sacrifice.

I’ve gone on about the Count before, and it’s no secret that I admire what that undead dude does for the sake of civilization. This time, I’m going to go way out there and let people know what I’m all about.

There’s this DVD that came out, known by the illustrious title of Every Other Day Is Halloween. Basically, the changeable and fantastically talented core of which Count Gore is but one manifestation—near as I can tell an ordinary human being known as Dick Dyszel—is admitting the passage of time in order to let his story be told.

The movie on this disc tells the story of how Mr. Dyszel found himself a central figure in a local broadcast station, playing several inspired characters, before the forces of mediacrity moved in and demanded tribute in the form of the bottom line.

Along the way, you see how Mr. Dyszel inspired people with his individual and honest outlook, as personified by the characters he played and the shows he hosted—Bozo the Clown, Captain 20, and Count Gore De Vol.

Certainly, there are other folks behind the scenes who contributed to this outburst of creative depiction on local programming. And the spirit of the seventies no doubt played a part in what locals in the Washington DC area remember fondly as “better times”.

Peak times to be sure, and total respect to the unsung efforts of those who get things done, but it always starts with an individual carrying a vision, or a talent, or a way of existing in space-time that shows us what we have lost.  How to adjust our course and return to ourselves.  The true genius constellates those talents and circumstances necessary for raising our consciousness.

So what experience do you get when you buy into this examination of an inspired man’s exploration of himself for the betterment of the community?  Quite a lot, actually.  Though, with any localized phenomenon, there are going to be experiences that only those who lived through it will get.

However!  Keep in mind that the treasures waiting to be discovered are in and of themselves examples of the finest art and of inestimable value to those who seek insight.  Surprises and secrets await those who quest with an open heart, who can hear what has gone before and dare to recreate what may yet be again.

The cover itself is an enigma easily dismissed as an attempt to downplay the contents—Count Gore presenting a can of steaming offal and garbage, while caricatures of other horror hosts float around the vapors with comical expressions. Horror hosts have often hidden behind a veil of humor in order to make their performance less threatening and more acceptable to societal antibodies.  This is activism at the base—always speak in the terms familiar with the audience you find yourself before on any given show.

Look more closely though, past the sadness that is self-depreciation and see the truth behind the images. One has only to know that in many fairy tales it is the worthless thing—the junk—that one finds the most important things of all.

If the hosts are masked in humor, one has only to know that we the audience are always the biggest joke of all.  In that realization there is humanity and redemption—the host always throws us the viewer back upon ourselves to realize the awesome horror and painful glory of being alive.

Opening the case, one cracks open a casket of horrors, yet also proclaims that they live! Passing beyond the threshold, one finds a Channel 20 Club card amongst the expected insert and disc. Yes, there is something of the child in all of us who desire to belong to wonders great and beautiful.  In the local DC area programming of Channel 20, such cards were a visible sign of divine power and a reassurance that magic was abundant.

That the coprorate centers of power regularly co-op such toys of civilized play to encourage “loyalty” to mechanized food outlets is proof of their inherent inventiveness.  Artists, entertainers, and magicians all know the way to reclaim such treats, for is not the card part of the trickery that conceals the true magic in the mind? Beyond a doubt, Captain 20 knew the card trick to remind us how such small things matter.

The disc itself contains the movie, and a veritable infectious fungal colony of extras.  Most of these will be of easiest value to those who remember. Yet pay attention and you will see how improvisational television programs work. How character and setting contribute to situation even in a fluid dynamic such as a studio for viewers.

Variety acts thrive on this sort of transformation—commercials, contests and cartoon blocks are mere forms to be molded and rearranged at will.  Green muppet mutants, friendly adults dispensing worthy advice from the heart, or showing manga style programs way before the mainstream caught on—these are the stuff of which legends are made manifest.  Do we not save the world as audience when we remember ourselves, or as performer when we remind others with our smoke and mirrors of the human spirit?

The movie itself contains a story of an intrepid entertainer’s journey from rough ore to final realization.  What strikes me most is how grounded and ordinary Mr. Dyszel appears. One can almost see the grandiose and unstoppable force of his shadow as personified by Count Gore De Vol lurking in the background.

Is that not the supreme mystery and absurd irony of our times?  That only in the nicest and most unassuming of men could a creative force arise to spark the flames of a thousand and one hearts?

When one is confronted with the simplicity and utter banality of a sock puppet wearing a chef’s hat speaking kitchen wisdom to us with the utmost sincerity, do we not believe?  It speaks volumes for the depths of our own souls, whether we respond with kindness and smiles or turn away in revulsion.

Pity those who see only the surface and not the invention of a lone soul progressing his art beyond a mere tool.  They are the unfortunates consigned to make programming decisions from a vast distance.

Another key point worth noting is how the story progresses into the horror host phenomenon.  This is where Mr. Dyszel fumble-foots into a trove of glittering gemstones and becomes part of a signifier for a deeply relevant art form’s transmutation.

Exiled from mainstream television, only to return and finally be banished again, Mr. Dyszel would seem too nice to survive such a crushing blow as the loss of all he held dear—the beloved figurehead of a local television station yanked from the stage, how contemptable!   Nevertheless, Mr. Dyszel continued his exploration and found in himself the ability to manifest studio in a backpack.

As a result, Count Gore spread his creative power into the Internet, and now no longer needs the station to transmit.  Vanquish the shadow, and he returns again in a new form requiring that we reckon with him once more.  We cannot escape ourselves!

The Internet allows everyone and anyone to be both host and audience, without the coercion and repression one finds in the structure of an impersonal system of power.  Such an environment is a natural breeding ground and salon for a revivification of what can only be termed a capsule of catharsis through the ceremonial experience of violation.

Mr. Dyszel’s successful exploration of the ideas within his passionate being speaks for itself.  To invent his own show regardless of the trauma and set himself firmly at the next foundation of where all culture will be transmitted in the future?

It is nothing less than stunning.

The movie ends with the closing of a former door and the opening of a new portal to worlds undreamed of.  It’s a whole new shared creative space.  One might say the monster not only survived, but lived to help spread the horror of a profound mystery to those who will come after us.

The horror host movement seems poised at the edge of a vast unmarked frontier.  What the practitioner-audience hybrid will make of it is hard to say—anything goes now.  There’s enough history now to form an idea of how things work out of countless trailblazed innovations.  The reactions of those who are themselves following personal visions as hosts are worth studying.

For example, I see in the easygoing testimony of Jerry Moore—who manifests as the outrageous Karlos Borloff—an affection for what Mr. Dyszel has accomplished.  He gained strength from the things he learned by experiencing himself at play with Count Gore on the tell-a-vision.

It’s enough to make me believe that the medium of late night horror shows not only has returned in a renewed form, but in a sense is better than ever before.  One has only to see the de-atomization of the community and the rapid sharing of ideas to see a strange solidarity emerging.

An ancient form of performance taking shape before our very eyes. Watch the movie and learn how profound changes in the world transform the way we experience ourselves as people. That we should owe our very life and soul to a vampire as channeled by a wandering artist of great destiny is truly a miracle of the age.

The key question is: “Did he meant to do that?”  Was it part of the act, this death-defying leap into the future? Before you can stop thinking again, the Count is before you, telling a horrible joke to bring it all back around again.

I’ve known Maria since the day she wandered into my dorm room and hung out, chatting sagely about what I could look forward to as a newbie student.  She’s still that insightful, hard-working, outspoken and charming woman from those days.  Only now she’s more powerful.

She’s had an album for a while. If you’re really lucky you have a copy of one of her bootleg cassettes from back in the day before the internets made music a telepathic experience.  Now she’s got a new song available, and I hear tell there’s more in the hopper to come.

So what is she about and what do you, her listener, do?  Maria sings about relationships using her voice and an acoustic guitar.  She explores intimate and personal experiences, confessing and declaring more to you the listener than she might be willing to admit to herself or those she knows.  You are the privileged stranger, witness to the satisfaction and frustration of her proud, vital, vulnerable self.

Speaking of dragons, there’s another dragon worth mentioning.  The ruby dragon of alchemy, represented by the number nine.  Nine is the highest individual number and therefore representative of the highest degree to which a human being alone may attain.

The symbol of the nine, or 9, is a hovering circle (the zero) with a dangling tail (the one).  The divine zero is about to descend to join the one (the human being) and begin a new level of consciousness.

This can be imagined as the descent of the Holy Ghost or the bringing down of the Holy Grail to the consciousness of a human being, who will now experience a wider awareness.  So too, will the divine, the most high finding fulfillment in the lowly human being the plan that unfolds from infinite mystery.

This is the moment of transformation, of great danger, and unpredictability.  Often we can only use veil-names to hide the contents, lest they become institutionalized by earthly concerns or disappear back into the heights and depths of the unimaginable unknown.

Number nine.  Number Nine.  Number Nine.  The Beatles played with this formula, encompassing the vastness and complete bedlam of existence in a mantra of return.  The number always brings us back to the beginning even as we reach the end.

Nine is fine, nine is naughty.

So what is going on with all this, say you?  Think of it as a wandering in the midst of a great dried out cistern-like structure stretching out to all horizons. Blue skies and arid heat bearing down from a bright sun, while sharing snacks with a gigantasaurus of a sphinx, feet and paws roasting on the baked clay.

One tends to see things out here, hazes of steamy far-off imagery wafting unsteady in the oppressive daylight.  Strange lights reflecting and bending off currents of particles in the superheated air.  I swear, out in this desert of the mind I hear weird noises: dull roars of wind as though there were a tunnel far in the distance, occasionally the crackling titter of granules just beyond sight.

Is there anyone there?

Hard to tell, the brightness makes it hard to see through the visual trickery of an outdoors so spacious one mind isn’t enough to conceive it.  I perceive an increase in the glitter of the lights; they sparkle such that they leap in and out of the air as I move.  The noises might be that of my own body, magnified by the silence of nothingness.

Dang this heat is oppressive.

Summer empties us as surely as winter fills us.  I’m of the mind that there’s a jumping about, a joy to the burning up of emptiness.  The time it takes to wait for an inside spirit to come to our attention.  Most people I imagine grow despondent waiting for their souls to be filled.  Imagine one’s surprise when one is faced with cold rain in the hot desert?  Talk about bizarre, but living it is believing.

I pick up the psychic communicator.  Looks like my friend Alexi scored the job, defeated the robotozoids of torment, sent Crush-em No-thousand to the scrap heap with a fake lightsaber.  He’s at the threshold of his kingdom; it helps to have a horse to power the cart after all!

Also on the Good News sandwich line, Chopper Angel Le Wolf extracting an upgrade from her pesticide commanders for more gold and mead; Going to be able to survive to the next cookie round-up.  Busy training her daughters to fight in the living dead girl olympics on rationed Scooby snacks and a world where princesses get sold out for free.

Bonus round for Vampy Kimbers, expressing the lost dark side as best she can given that living in the sunlight takes it out of her.  Writing, exercising, raising youngsters, working, keeping husband recharged for the day-to-day work spin-cycle and still finding time to re-grow and re-learn psychic limbs held still by decades of invasive programming.

Getting kind of cool now, probably could have packed my rain gear, but who expects the Spanish Inquisition?  Even though that’s all we get.  Hardly expecting to see vaporous mists and gray clouds where a moment ago I was baking to the crisp?  Hey, you know, in this psychic terrain things turn on a dime, crumbs!

As Roseanne Roseannadanna said, “It’s always something.”

I approve.  Rain, shine, it’s a state of mind.  No trees, except I know this is the Valley of Trees.  Yeah, in a desert, which is raining.  Talk about a mystery oasis.