Looking for the proper alchemical ingredients for my watery meditations takes time and effort.  You can always get a “do-fer” at the local supermarket, but there’s a certain sludge factor or an automation residue on those items that reduces their level from “goodies” to “products”.  You have to stay clean to get the sanitation bonus to your life, and in this modern industrial death culture often it’s all you can do to stay supplied.  Do I have the Leonardo’s Workshop of niceties?  No, but I can still dream, and in the meantime here’s what I like.  It being the holiday greed season and stress-out ordeal, I figure it can’t hurt to give people some ideas.

I really dig Pretty Baby Soap goodies.  The soaps have a nice array of smells and appealing, muted colors.  The price is right, the size and shape are perfect, and they give off a good “soft” vibe.  But don’t be fooled.  These soaps are  made of hard-working material.  I get a lot of mileage out of the soaps, and that’s where the craft in them shines.  I never feel ripped off, even if I try something and it doesn’t work out.  I also really dig the herbal bath salts baggies you can drop in the tub and get an instant pump up.  This family has been doing their thing for a while, and it shows.

If it’s flashy colors, vibrant sensations, and kooky smells then I go for Lush.  These things are the unstable isotopes of my bathing world.  They do just about every kind of cleanser, face mask, shampoo bar, bubble bath, and skin gel you can imagine.  For both guys and gals.  The materials melt easily, and don’t hold up for very long, but what a ride.  The prices are expensive, so this is luxury stuff.  They put forward a no-animal testing mantra, which is cool.  The bath bombs work the best for me, little balls of stuff that fizz and crackle in the tub as they release their magic in the water.  I don’t go for the ones with all the glitter and confetti in them, I try to stick with the more mundane selection.

If you really want to go to the people and get involved with the forgotten corners of personal craft, then Etsy is the way to go.  You can discover all sorts of people with nifty skill sets making beautiful, wonderful soap items.  Plus, you are supporting the creative front line in the alchemical supply process.  These sorts of small time handicrafters have some rough edges that can be pleasantly surprising, making your collection of available materials pump up to the next level.  Why does soap have to even be in a formed shape at all?  The smell, color, and ingredients can have any sort of pungent, weird, or tactile quality you want it too.

I could go into more detail, but I want to save some of the joy of discovery for your own efforts.  “There be treasures in that forest,” so get kraken!  Sometimes all you need is a map of ideas.

Oh boy, my favorite time of year has come around again.  I hate to admit it, but I’m a big Grinch when it comes to the holiday season.  The weather is finally becoming crummy on a regular basis, the mutants on the street have an extra kill factor on their difficulty level, and the general malaise of having to send out cards and accumulate gifts for the other planets in the Federation starts to set in.  It’s depressing.

I put on a merry face and pretend the gloom isn’t getting to me.  The only thing I like is the decoration of the Xmas tree, which has been denied to me for some years now.  The folks don’t have the room for even a small tree, and the cats mean K and I have gotten out of the habit of putting one up.  The destructive rampages of Frankie and chomping nom-nom insanity of Michael’s pine needle appetite make such a possibility ludicrous right now.  Just another reason to be sour about the “Season to be Jolly”.  Grrr!

The stores are filled to the brim with two-legged personifications of desperate panic, outright greed and smoldering resentment.  Come on, mutant robots of death, I just want to buy a carton of milk and go!  The parking lots become re-enactments of the opening sequence of Saving Private Ryan.  And here I am in Micro Blue, my little go-cart, trying to avoid getting taken out by the Mammoth Car.  Sheesh!  Back at the homebase, the general ambient neighbor radiation goes up.  You can feel the jitters, usually right when you are undergoing decompression and decontamination procedures after work.

I don’t have any horrible childhood memories of Xmas.  I’ve had quite a few wonderful Xmas experiences over the years.  What I’m describing is a kind of background feeling that comes over me.  The doom is all around us at all times, I suppose I notice it more around this time.  Even during this time of greater awareness of so called “higher principles”, people are still acting like they’re on the Planet of the Apes.  I keep thinking about Sandwich Wagon Boy keeping the eatery treadmill open on Xmas Day while Toot Nugget and his screaming brats open their disposable auto-garbage plastic enviro-bot practice annihilators.  I want to jump on the top of the table with my Casio-rebellion keyboard and yell like a stupid fool!

Yup, that’s how I honor Xmas.  By being in the dumps.  I’ll celebrate when Santa Claus conquers the morons.

When I was a kid, I would tape songs off the radio, or record the sound off the TV and make tape mixes. I’d wrap the tapes up, and put them away, only to be opened from the “me” of the future at the appointed time (which could be at any time). The idea was that I’d be sending myself messages from the past to change the future!

Not that I had any message in mind, you realize. The message would be in the music.

I don’t have very many of these Time Torpedoes left, but just the same I hadn’t opened one in a long time, and decided now was the time! I peeled off the “Danger! Bom!” paper and found myself looking at a blue and white labeled tape with no writing on it. Nothing to do but play it and find out!

I compiled a list of the songs here, for your amusement. Side B was the side that was ready to play, so I started with that:

Side B
Is There Something I Should Know – Duran Duran
Steppin’ Out – Joe Jackson
Slippin’ Away – Dave Edmunds
Be Good Johnny – Men At Work
Rock of Ages – Def Leopard
All Time High – Rita Coolidge
Rock of Ages – Def Leopard
Electric Avenue – Eddie Grant
Hello Goodbye – The Beatles

Side A
Who can it be now? – Men At Work
Lunatic Fringe – Tom Cochrane
Jeopardy – Greg Kihn Band
Abacab – Genesis
Wishing – Flock of Seagulls
Down Under – Men At Work
Electric Avenue – Eddie Grant
New Years Day – U2
Is There Something I Should Know – Duran Duran
Photograph – Def Leopard

“Save the Cheerleader, save the world?” Funk dat! Listen to Duran Duran, learn the secrets of the universe! So, what are you going to arm your torpedoes with? Who knows what effect you will have on the future? Thanks for the message, Past-Me. I’m gunna rock down to electric avenue. And then I’ll take it higher.

I pulled out a ten-dollar bill to pay for some last minute groceries, and I noticed it had been stamped on the edge with the information for an escort service, with a phone number and web address. For goodness sakes! The things people put on paper currency.

After I got over my amusement, I got to thinking, and I imagined it had to be a meaningful coincidence. A psychic message perhaps, but from whom?

The “Dark Goddess”, of course. That archetype that dwells within the unconscious of all humans on the planet. So I dug into some of my old collections of useless information to see what I could bring back to the conscious part of my ape’s brain. I figured she wanted me to remember some of my lessons from back in the day.

Then, for no reason at all, Britney Spears and her latest tune pops into my head. I get to thinking this must be part of the message. Then I realize little miss “gimmie more” is carrying the projections of people’s expectations of the Dark Goddess. This goes back to my Escapegoat theory, whereby certain people embody the community’s own repressed qualities so people can mock them and feel better about themselves.

What are the qualities of the Dark Goddess? Well, aside from the obvious (the naughty bits), she personifies instinctual behavior, music and dancing, drunkenness, the pursuit of pleasure, reckless abandon, procreation, madness, self-destruction, illusions over reality, and generic forms of darkness and chaos thrown in for good measure. Sound familiar?

The Dark Goddess is often symbolized by things like the moon and underground tunnels, or personified by supernatural figures like witches and mermaids. You can go all the way up to goddesses like Lilith or Tiamat, and all the way down to famous actresses or femme fatales. It just depends on what you are looking for. Hrm. Famous people. That could easily apply to miss “oops I did it again.”

The obvious interpretation is that the Dark Goddess was reminding me that she’s out there, in the shadows and darkness sometimes, but more than likely in broad daylight without anyone’s knowledge. Britney is out there too, suffering the scarlet letter of people with no guts and nothing going on (we’re all guilty, not just her). The Dark Goddess is out there doing her thing, what am I doing?

That question brings me back to a time when I was an ardent admirer of the Dark Goddess. I gave her a full access pass and a place to live. I drank from dark waters, ate from dark fruits, and lived in the wrong part of town like her. She’s a backdoor girl with a bad reputation, and she ain’t no man’s woman, but she would pay me a visit just the same. The Dark Goddess shares her gifts of regeneration and ecstasy with those who ask, and I asked every day. She would sing to me, you can call me anytime, on my hello-happy-line.

So that’s the message, give her a call. Maybe she misses me, or wonders if I’d forgotten about her. I heard tell once that the edges of the wrong side of town must seem like they plummet into the depths, because anyone who leaves never comes back. I dial the Dark Goddess’s hello-happy-line, and leave a message.

That night, I have one of those vivid and detailed dreams I sometimes get. I’m in a huge labyrinth of a building, a creativity warehouse as one occupant puts it to me. I see every conceivable kind of artist, engineer, architect, editor and student associated with creativity engaged in projects too numerous to mention. Writers working on stories for a magazine, paintings of every conceivable type being painted using experimental techniques or to develop a series for museums or shows. Lithographers, gardeners, graphic artists working on advertising, all in a setting of hallways and rooms littered with toys, decorations and tools of the trade. Whole acting companies work out elaborate blocking of scenery next to rooms where speeches are being given on the future of sculpture. I climb a wooden ladder out of a sauna where rock stars are meditating on new songs, and walk down an aisle of computer-automated typewriters working out a formula for theater performances. Everywhere, there are secret doors, concealed passageways, and understated niches like altars to the making of things for their own sake. Quiet places, loud places, lighted by fireplace or fluorescent bulbs, or sometimes nothing at all. It’s a Willy Wonka Factory of every artist’s dream.

I realize in the dream that I’m looking for my backpack. I’m carrying a sword and wearing a costume from some previous artistic pursuit that I’ve moved away from. I’m looking around, searching, and wandering the place. That’s when I run into the Dark Goddess herself, and I realize the creativity warehouse is hers, she runs it and makes sure that there’s always ideas and play to fertilize the minds and souls of people. She tells me that she called because I left my backpack at her place, and I ought to have it back again. I come out of my dream as if I’d only just closed my eyes, and I write down everything she told me.

The next day, K is at the new computer figuring things out, and I’m working on my book. We have the sliding back door open (with the screen closed) to freshen up the air a bit. Something appears at the top of the screen, and for a moment we both think Frankie has climbed the sliding door to get at a moth or something like that. But it’s a screech owl, trying to get in. It sinks its claws in the screen and stares at us for a moment, then tries to get in again. The owl flies off into the night, without ever having made a sound or damaged the screen, and K and I marvel at the critter visit we just experienced. Totally cool!

Owls are sacred to the Goddess Lakshimi, symbolizing prosperity. They are also animals associated with Athena, and wisdom. In some Native American traditions they are night hunters who see through deceptions and the sorcery of others. Owls often carry the spirits of the ancestors and their messages. But most of all, the screech owl is sacred to Lilith, another aspect of the Dark Goddess.

Yup, that’s the Dark Goddess all right. She’s in your fridge, eating your food.

As I mentioned earlier, I used to hate all cats with a passion. The time has come for me to tell the story of what made me hate cats so much. Why, why the hatred? Well, here it comes, and it ain’t pretty.

Back when I was living with my folks, post college graduation burnout, next door there is a house we came to call the Hell House, because the family that lived there were a psychological cesspool of dysfunctional, rancid energy. Fights, screaming, smashing things, littering. Name the drama, it happened there. One of the more unsavory mutations of that family lifeforce, while it inhabited the Hell House, was their chaos attribute of Infestation (Dumper Cats).

Specifically, they maintained a stable of cats in the general vicinity that ran loose at all hours. These cats bred with each other, attacked birds and squirrels, and invaded other people’s yards in large numbers. And, of course, they relieved themselves in other peoples’ yards as well, thus the nickname of “Dumper Cats”. Well, that’s not what they were really called, since the actual descriptive was a profanity. Use your imagination.

Since they were free to breed at will, plenty of yowling and mewing occurred at all hours. Yet the actual number of the cats didn’t seem to increase, although I always saw new arrivals with different shades. My guess is that the litters were sold off for extra income, with an occasional kitten kept over to replenish the stock when these cats inevitably fled or died from disease. Our only recourse was to have the super-soaker primed at all times, since the cats grew wise to the sound of the hose being turned on.

Perhaps it wasn’t so much the cats themselves, but what they represented. They were a visible sign of psychic contamination. The folks and I came to hate them with a passion, and reveled whenever we got a direct hit with the water. The family’s drama was bad enough, to have to suffer the invasion of your own personal space by numerous cats was a transgression. You’d be sitting in the backyard, enjoying the garden and the birds eating their seed or washing in the bath, when along comes a mottled white cat through the fence looking for a bird lunch. Peace and tranquility disrupted! You have to scare the birds while you scare off the cat, and your thoughts have been interrupted.

So all cats became known as Dumper Cats. Eventually, the family broke apart despite itself and the house was abandoned. For a long time it was a morass of psychological residue, and the cats wandered off in search of some other source of food. The house was bought by a nice handyman. He moved his family in, and fixed the place up so you would never guess it was once the Hell House. The Dumper Cats are ancient history. But it would be a long time before K would come along and show me the power of the non-Dumper Cats.

Feasting on food and fine victuals while celebrating with loved ones. Thanks for the sacrifice, Turkey With No Name.

037_spockStar Trek is dead, and it’s never coming back.

Seriously. The only person who may have really understood what Star Trek was about was Gene Roddenberry, and he’s passed on. I submit as evidence the decline of the Star Trek franchise after the man’s passing away. Deep Space Nine, Voyager, Enterprise, and all the ridiculous Star Trek movies after the first have increasingly failed to capture either the magic or the message of the original show. I can’t watch any of them without thinking about how unlike Star Trek they are.

It’s like putting Conan the Barbarian in place of Aragorn for Lord of the Rings.* You’re watching someone with the same name, but acting completely out of character for what you thought you were watching.

Star Trek as I originally “grokked” it, was about the exploration of problems in consciousness. It had nothing to do with outer space at all; it was all about inner space. Or, as Q very rightly put it, “the unknown possibilities of existence.” The external world of Star Trek seems to be the only thing fans have increasingly latched on to or developed, with all the techno-gadgetry, identity politics of different “planetary races”, and space battles most of all. Got to have space battles! People have gravitated towards the “mapping stars and studying nebula” aspect of Star Trek, and have shied away from the more difficult task of rendering the far out and the unknowable.

If the fans don’t get it, you can bet your two-hundred Quatloos that the studios and networks sure aren’t going to come within a hundred parsecs of the message. But that won’t stop anyone in a suit from trying to resurrect the franchise and give the aging fans one more shot at nostalgia to keep the money rolling in. Yes, it’s coming, the Foetal Scooby Doo version of Star Trek. A “reimagining” of the franchise, now that the old one has hit rock bottom, and the fans are left staring around like stunned fish after a depth charge.

Forget it people! Star Trek is never coming back. We’ll only ever see some space action adventure show with people named “Kirk” and “Spock”, shooting phasers at anyone who isn’t a member of the Star Fleet Empire. That’s all anyone will ever get now. The innovation and creativity of the original has been drained to a husk, and we’re just sucking corpse dust through that straw.

The vision has been lost. If it shows up again in our lifetimes, it won’t be in anything bearing the name of Star Trek.

So go enjoy the space battles. That’s what advanced, interstellar civilizations are based on, right?

* Oh wait, Peter Jackson already did that. Thugs in place of “high men”. I especially loved it when Conan!Aragorn chopped off the Mouth of Sauron’s head. Today’s heroes have to be dark and edgy, rather than courteous and courageous, otherwise they might be considered “sissies”.

I’ve been a big fan of Lost, the hit television show, for a while now. Unfortunately, I think that’s changed and I’m getting a divorce. The third season concluded this year, and I got to thinking a lot about what’s happened on the show, and where I think it’s going.

If you haven’t ever watched the show, I’ll try and summarize it. A plane on its way from Sidney, Australia to L.A., California becomes lost and crashes on a remote tropical island. About fifty people survive the crash and try to survive as best they can until rescue. The complication is that the island is inhabited by mysterious phenomenon like an invisible monster, voices in the wind, and strange apparitions. The past lives of all the survivors intersect with one another and are related by a cursed numerical formula. Each show focuses on one of a dozen or so “main characters” in the tribe of survivors, and their efforts to overcome some personal obstacle. Punctuated by the current action are “flashbacks”, where an aspect of the character’s past life is shown.

The show has presented itself as a puzzle deep in subtext and invited viewers to speculate on what might be happening on the island. In other words, what the “answers” to the “mysteries” might be. The writer/producers of the show have engaged in all sorts of evasive suggestions in interviews, numerous products have been put out to suggest “clues”, and the network’s hype machine has pushed viewer buttons saying “this is the show you don’t want to miss”. You watch the show, hoping to catch a vital clue and figure out what is going on. What did the billboard in the back of the character’s flashback say? How does the billboard’s message relate to several other similar clues we’ve seen? You know, that kind of thing.

If you haven’t watched the show and want to preserve some of the so-called surprises for yourself, read no further.

I’ve come to the conclusion that Lost was a miniseries with a bunch of really good ideas that should never have gone beyond a dozen episodes, and that the creative team behind the episodes have exhausted those ideas and are not up to the task of making what’s left interesting. A lot of the happenings in the show rely heavily on context, so it’s really hard to come to any conclusion until you’ve had enough information to gain a certain amount of perspective. In retrospect, it’s easy to see where the major flaws were, and at what point the writers slipped up. I think Lost “Jumped the Shark” in it’s sixth episode, but it was so subtle, and the wipe out so prolonged, that it is easy to mistake later slip ups as the “definitive moment.”

To be fair, the flaws in Lost were there right from the very first episode. I took the time to revisit the first and second season, and compare and contrast their development with what came out of the third season. A lot of internet discussion has revolved around whether the writers have a plan and where the show is going, but I’ve come to the conclusion that it doesn’t matter if they have a plan or not. There are only so many moves you can make in a story, even a long term one, before you run out of options. The story resolves in one way or another, whether or not you have a long-term strategy.

For example, Babylon 5 is often toted as an example of an “epic series” planned out from start to finish, but I think the whole thing is rubbish. Every story is punctuated with major events that push the story forward irrevocably. The shark has to keep moving or it dies, so to speak. You could condense the epic story arc of Babylon 5 (the Shadow war) to a dozen episodes. The rest is just story-of-the-week and fluff (that’s gamer talk for background material not immediately relevant to the story).

The same goes for Lost. If the writers had a plan, it wasn’t much of one to begin with and they’ve made so many tweaks to the outline that the original idea has been squashed to jelly. They’re just flying blind now. The “puzzle”, whatever it was, will never make any sense or strike home with any resolution the way say, the first season of Veronica Mars did (an excellent example of how to keep an audience involved in a mystery without spoiling anything until the end).

I think it is more likely that the writers had an outline for a miniseries with a bunch of mysteries that never had any solution, and they’ve been milking things out as much as they can. Unfortunately, as of the last few episodes of the third season they’ve run out of ideas.  They’re having to recycle old plotlines and revisit territory already traveled (Charlie dies again! The Others attack the camp again! Locke finds a Dharma station again!).

It’s sad. Lost had a lot of potential, but as so often happens in television, the corporate suits get their stupid hands in the pie and ruin the recipe. The writers for the show haven’t exactly risen to the challenge either. The quality of the episodes has gone down as the ideas lose their freshness, and the writing just hasn’t kept pace with that fact. I’ve had to watch the show that excited my interest and imagination slowly break my heart with every growing mistake and misstep.

The high point of the show for me was the fifth episode of the first season, “White Rabbit”. There are already several points that don’t stand up to scrutiny, but I think they are minor at this juncture. As I mentioned earlier, the flaws were there at the start, they just haven’t developed into actual cracks. The main integrity of the story’s consistency hasn’t been breached as of yet, and a lot of narrative momentum is going on to keep viewer interest high.

In “White Rabbit”, you have an amazing amount of stuff going on. The survivors suffer their first death due to the dangers of the island (someone drowns in a riptide), they are running low on water (on a tropical island that’s life or death), the pregnant woman has passed out from heat exhaustion, and group cohesion is starting to break down. Jack, the unofficial leader (who also happens to be their only doctor), has a temporary crack up and nearly dies in an accident after chasing his dead father around in the jungle. Meanwhile Locke, the guy everyone thought was a nut case, turns out to be the only guy who has an idea of how spooky and magical the island really is. He acts like a kind of shaman and gets the people with the next strongest leadership skills to keep everyone cool while he goes off in search of water and their cracked up leader.

Locke rescues Jack, then helps the guy get his head on straight. Jack continues his quest for his dead father, only in a more reasonable frame of mind. A dead father who may not be dead at all, because the island is special. Jack finds his father’s empty coffin (from a section of plane wreckage), near a cave with a large fresh water source. He works through some of his issues (though not all of them), and he finds it in himself to accept what people need from him. Jack makes an awesome speech and assumes the leadership role he was afraid of. At the end of the episode, you get the feeling that something amazing is happening, with all sorts of story possibilities popping forward. The episode is a thrilling mixture of real life danger and interpersonal conflict, with some of the creepiest ghost scenes I’ve ever seen on television.

Then you get the next episode, “House of the Rising Sun”, in which the story takes a disappointing turn. Last episode, Jack made an impassioned speech about everyone working together, and the need for everyone to find a way to contribute to the group’s well being. A day later, he’s decided to try and convince everyone to live in the cave he found, regardless of what people want. Never mind that no one knows if the cave is stable, or if it is a sometimes home for the polar bears that live on the island, or that there are two old corpses placed in little makeshift tombs in the cave near the water. It becomes a divisive issue, with half the group wanting to stay on the beach, and half wanting to go live at the caves.

I’m not even going to go into the problem of not following up on the crazy mystical stuff Locke brought up last episode, the lack of a funeral or mourning for the woman who drowned yesterday, or that nobody challenges Jack for leadership over this bumbling mistake. There are a dozen loose ends I could point to and get upset about. What I object to is that Jack’s behavior and subsequent poor decision completely nullifies everything he went through in the previous episode. His “new” leadership ability ends up dividing the entire group, and fails to organize them into any kind of mass labor necessary for survival.

All of this is glossed over or minimized into the background because the episode focuses on the character whose episode and flashback this is (Sun, the Korean woman with a Mafia father). Not that the focus shouldn’t have been on Sun, or that the story is done poorly (it is rather excellent), but I think the decision to negate Jack’s character development is a fatal mistake. It is this decision, I think, that creates the first crack in the integrity of the show. How can you take anything the characters do seriously, when their actions will be rendered meaningless in the next episode?

It’s hardly an immediately devastating blow. You keep expecting Jack to get back on track as a character, and you don’t have enough episodes under the belt to form any context. But it begins a precedent that the show never recovers from, and in fact grows steadily worse as the seasons drag on. By the end of the third season, every character on the show has experienced life-altering moments, made what should be irrevocable choices, or acted in ways that would get them clobbered by any reasonable group of people, only to return to the same person they were when they first came to the island. As a side effect, the things that these characters interact with also become meaningless. The ghost of Jack’s father? Never seen again and never explained. Locke’s mystical explanation for the island? Never followed up or referred to again. The cave? Abandoned at the end of the first season for no real reason. The water source? Tarps magically appear and are turned into rain collectors by invisible servants. The things in “White Rabbit” may as well have never appeared, for all the importance they had.

That, I think, is my fundamental problem with the show, and why I refuse to watch it anymore. Nothing matters. Nobody changes. I’m not sure that the puzzles even mean anything, if they exist. I’m still waiting, three years later, for Jack to fulfill the promise he showed in “White Rabbit” (among many other numerous stalled storylines). You could fit the character development of the entire cast in about six episodes, even though there have been over seventy episodes now! Everyone is still stuck in the “I can’t get over my issues” phase of the heroic journey, and consequently all we get is the characters eating dirt instead of facing consequences.

It’s a problem I think has become particularly endemic in today’s television programs. Networks make money off of shows that they can milk long term. They are afraid that if they have actual long-term storylines that resolve themselves, they’ll lose the audience share they are milking for ratings. The result in recent years seems to be a preponderance of what I call the “false tension rollback”. You build up a massive conflict in an episode with promises of major consequences, only to back down at the last minute, then spend the rest of the episode explaining how the characters got to that point. I’ve seen a lot of “promises” from Lost in the last two years, none of which have delivered.

Broken promises. Broken heart. These boots were made for walkin’.

I get the feeling that the Klingon attack cruisers are out in force right now.  Celebrating their version of Thanksgrabbing I suppose.  Shooting energy torpedoes everywhere like gangbusters and not worried about where the things land.  So it was that not even Michael Monticore’s cat fur deflectors could keep us from taking a direct hit on the main computer.  Specifically, K’s computer gave us the blue screen of doom and that was pretty bad news.

My science officer, Kool Kat, did his best to bring the damaged system back online, resorting to the system restore disk which had worked very well twice before in previous episodes.  Alas, the system restore failed to take hold, and the blue screen of doom started appearing even with the computer in Safe Mode.  In game terms, we had to move the status chit on our character sheet for the Computer from “damaged” to “destroyed”, rather than “repaired.”

Well, one can’t have amazing adventures in outer space on a starship without a computer.  At least, not without switching idioms in mid-season, which could prove bad for ratings.  And I don’t think turning a sci-fi show into a western exactly is what K and I signed on for on this channel.  So, Kool Kat looked at me and gave me the report.  Cue close up of me in the command chair with suitably appropriate music as I have to make a command level decision.  K’s Sims happiness bar is going down by the hour without her online MUD connection.

No decision, really, but nice and dramatic with heavy sighing and first-rate acting.  I call up the engineer, Captain Boozer, and tell him we need an infusion of Warp Power from the bank account.  You see, moving the quality chit for the Computer from “used” to “new” automatically moves the status chit to “operational”.  Captain Boozer doesn’t exactly like giving up the bank account Warp Power, but that’s an order!  Luckily, we manage to obtain something cheap without getting too horribly fleeced, Kool Kat replaces the old console with the new one, the character sheet is updated, and K’s happy level goes up.

I chalk it up to the science officer using his special ability of “Emergency Damage Repair”, and we get back in the action.  I take this as a hint I should fortify some of my own systems, and I make sure to burn a hard copy of my book work to date.  Not that I wasn’t maintaining multiple copies, mind you, but always good to keep one step ahead of demands, as they say.  Got myself some hot flash drive action for easy transfer and backup.  The old floppy to zip disc action wasn’t cutting it anymore.

My sensors don’t pick up any Klingon attack cruisers out there at the moment.  But be on the lookout.  They could peek-a-boo at any moment and fire you a nice juicy surprise!  Just another day in the neutral zone of life, so to speak.

Picking up where I left off, K and I experience four days in Portland generally having a wonderful time. Shopping, sightseeing, eating and drinking without much in the way of hassles. Of course, it’s hard to tell because just about anything “bad” has to measure up to the living hell we just experienced on the train before we get upset. We more or less blank out the horrible fact that we have more to come and live for the now. We laugh at our recent misadventure as if it were some tale told to frighten children, never mind that this experience would make the boogeyman hesitate, and it was as real as a kick in the teeth.

Having been to Japan, and traveled on the bullet and regular trains both overnight and day-trip, I found the Amtrak experience a shock. In Japan the trains run smoothly, are well maintained, and the experience is average at a minimum and very often pleasant. I wasn’t expecting the same level of quality as in Japan, but the appalling experience K and I got made me confused when I thought about it during our vacation. Does not compute. System failure. System failure.

We thought about ditching the train and buying tickets on a flight, which is what the folks recommended, but the prices for such short notice just weren’t possible on our budget, or so I rationalized. So how bad could it be, right? Well, in retrospect I think we were out of our tiny little minds and should not have been allowed back on that train. The shock of the three day hell ride warm-up had rendered us incapable of making rational decisions. It’s only money.

So, vacation is over, time to go back on the train. This time, we tell ourselves, it will be different. We are ready to kick butt and take names. We bought ourselves some card and board games for the trip, a cache of water and snacks, and a can-do attitude. We know it’s going to be bad, so it won’t be as bad if we go in with clenched fists and a furrow of concentration.

Epic fail.

All the usual nonsense is there as before. The gorge is as scenic as it was before, and this time we get to see some of the scenery we missed on the way in because it was early morning. The card and board games hold up a little to the racket, but not as much as we’d hoped. The fun just isn’t there to be had, regardless of the activity, because your brain never gets a break from the stress that becomes panic and fear. We’re starting to fall into the old reliable habits of sit, stare, nap, talk, when the intercom buzzes with the conductor’s voice and makes a pronouncement.

Apparently, there’s been a train derailment on the track up ahead of us. As of now, trains using this track are being stopped at either end. The passengers are being put into buses and shipped to the other end of the derailment to board another train. Oh, great. At first it’s absurdly funny, but then we start facepalming ourselves. We should have flown home. Welcome back to hell. The train stops at some nowhere terminal with about eight or nine buses waiting to transport the suckers who paid for this trip. We grab our luggage and cart it into the bus, where we grab seats and try to make ourselves as comfortable as possible.

The attendants help an enormously overweight woman with bad legs onto the two seats in front of us. She’s in incalculable pain and tears are streaming down her face. The chairs creak when she is seated, and something plastic breaks. The smell of coach enters the bus as several passengers with bad hygiene enter and take seats. The air system of the bus doesn’t work. Neither does the toilet, but that’s a surprise awaiting us half way into the journey through time and space in search of new ways to experience hell. Oh yeah, dinner is canceled. And our snack and water cache is in the outside lower cargo hold of the bus.

The journey takes nine hours, through Idaho and into Montana. So much for seeing Glacier Park again. The windows open only a crack. The woman in front of us spends the entire trip either crying softly to herself in agony or sleeping with a loud, heavy breath. At one point she has to go to the bathroom, an epic effort accomplished with the help of the attendants and several brave passengers. This is when the toilet gives out beyond any shadow of a doubt, and a steady sewer smell wafts into the bus whenever someone goes to empty their bladder because they can’t hold it anymore. K and I can’t sleep, we can only stare into space and wait for it to end.  There is no smell.  I do not hear the sounds of suffering.  Fluffy clouds.

The bus is noticeably more stable a travel experience than the train. No jolts or swerves or clickity clack doom bang booms. But the bus drivers are driving like maniacs, putting the pedal to the metal such that we are passing cars and trucks like the bus in the movie Speed. K and I worry the bus is going to crash and flip around, and we’re going to be crushed by the overweight woman as the bus catches fire. Since the sun started to set right about the time the train stopped to kick us off, there’s nothing to see.  There’s nothing like the wholesome experience of travel by bus.

After what seems like an eternity of stink and boredom, we reach the small town where the derailment took place. There are tons of work lights everywhere around the wreck. We drive by, and it looks like a cargo train derailed. The tank cars are strewn all throughout the track’s immediate area in bent and half-buried hulks of metal wreckage. The tops of the tanks have burst, spilling out grain in huge piles. We get the scoop from one of the attendants. The train driver was going 75 mph in a 45 mph zone, and jumped the track. I blink, because I recognize this town as one we passed through during the night on the way to Portland. I suppose the reason we didn’t derail is because we slowed down to stop at the station. Nice to know!

The bus ride is not over yet. We stop in a huge parking lot behind a series of strip mall eateries. Amtrak has decided to feed us all with a massive Subway sandwich eat-a-thon. K and I watch in shock and horror as people exit the bus and mull around like a bunch of wild animals. A group of attendants carry an enormous cardboard box from the store over to the center of the mob, drop it, and back away. Within seconds people swarm around the box and pull away whatever turkey or ham sub sandwich they can get their hands on. It’s like feeding time at the zoo. The image burns into my brain as if this were the apocalypse and we’ve just entered the Road Warrior dark future where survival is measured by how fast you reach the Subway sandwich box.

K and I each manage to get a sandwich after the immediate feeding frenzy passes, about ten minutes later. For Subway, this is pretty substandard fare, but it absorbs the stomach acid, and lowers the stress level. Here we are, in a middle-of-nowhere Montana town, at night, being bussed across the land like convicts in what can only be considered good value for the dollar. If this were a rare occurrence, I could take some solace in knowing that it was just the roll of the dice on the random encounter table. But the way in which the attendants and conductor handle themselves, I get the impression that this is normal operating procedure. The experience itself is horrible, but the way in which the basics are handled (passenger management, transportation, food) is efficient and matter-of-fact. These people know what they are doing. It’s a losing battle, but they are soldiers in hell, and they will make it through with these civilians no matter what the cost. Maybe they should be running the Iraq war, I don’t know.

We hop in the bus again, and the journey continues. If we’d had a thought, we’d have gone to the bathroom in one of the convenience stores or fast food joints. But now it’s too late. Nothing but a clogged toilet for relief now! Good thing we had some cokes before we left. By the time we reach the next stop down the line, our bladders are in emergency power mode. We disembark and hit the relief valves in the station. Our bus driver was speeding so hard we reached the station ahead of everyone else, and because of the way the road goes, only one bus can unload at a time. Thank goodness we didn’t have to go native, because that’s what would have happened if there had been a line.

The new train isn’t ready because apparently the previous passengers were only just evacuated, and the attendants of the previous train left everything a mess for the current crew to pick up on. The attendant for our new car volunteers us to help him set up the rooms of the car. We reluctantly agree, one because it means we can stow our baggage first, and two because it means we can get on the train before anyone else. We help the guy take out old bedding and towels and install new ones. Oh, did you think you were on vacation? In an alternate universe where nothing is what it seems? We do this for about an hour, then the guy goes off to make a report. He leaves us with his portable DVD player and DVD selection as a reward for our service. As I get ready for my turn to shower before the hordes descend, I go into the baggage compartment to grab some new clothes. I notice that the toilet on the second level is dripping into the baggage compartment and leaking right on our luggage! Wow.

We empty out our suitcases and move them to another compartment with a grumble. Luckily we caught the leak in time, before it penetrated the casing, but it’s still gross beyond belief. The other passengers start boarding the train, and I direct the ones in our immediate area away from the contaminated storage compartment. The trip has officially gone from bad mojo to epic horror. K and I settle down to watch some DVD action as the train speeds up on it’s appointed night train hell ride. Luckily, the outlet works and we don’t have to drain the batteries. We watch about six episodes of Good Times before we realize a secret of kung fu on a train – watch movies. I make sure to tip the guy my last twenty when I hand the DVD back to him in the morning. And look there, old reliable coffee and juice, just when I need an emergency infusion of sanity.

Our cabin is on the bottom level of the superliner, and we keep to ourselves there as much as we can. The air doesn’t work, so we have to leave our door open to keep some sort of current going, but that means we have to hear the noise of our fellow passengers who have the same idea. I honestly have to question the sanity of people who decided to let their kids travel with them in these tiny little sardine two-fers. The choice is noise and distraction damage, or bad air and sweaty grime damage. Either way, you are taking the damage on. Sleep is still bad. Even though we don’t get quite the same sway and weave as the top end of the train, it’s still there. Instead, we are closer to the wheels, where we get harder jolts and louder clickity clack dings.

By the time we get into Chicago, we’ve missed our original train connection and have to wait until tomorrow before we can go home on the last leg of our harrowing journey. Everyone is taxied off to various hotels to spend the night on Amtrak’s dime until they can make their connection. We end up somewhere in downtown Chicago staying the night in a hotel in some tall building. It’s a tiny affair, and the building is old, probably going back to the thirties, but K and I are so exhausted we can’t think. It’s a bed, and the clickity clack fear is only an echo in my damaged brain.

I don’t know, are rest stops worse when you just keep going back to the same old torture? You never become used to the panic and fear. You recover only enough for the horror to regain its freshness.

We are broke, so we have to walk twelve blocks back to the station through town. I think I end up carrying three different pieces of luggage. I must look like a mule. We’re starved and thirsty. Wish Amtrak had bought us a coupon for a free breakfast at McDonalds right about now. We get to the station, and are accosted by a street derelict who begins pestering me with questions. “What train you on? What train you on? WHAT TRAIN YOU ON? What time you leave? What time you leave?” It’s about this time I completely lose my mind and say, “Dude, just leave me alone okay? I can’t think right now! Aaa!” The guy gets defensive and says, “Get your head together, fool!”

Aaa!  Malfunction!

We make it back to the complimentary lounge for cabin passengers and I avail myself to a breakfast of cheap bagels and coke. Thank God corporate excess got something right. We settle in and wait for the train to come in and take me away from this vacation from hell. But it ain’t over yet.

The next train arrives, and we board it. This time we get the top floor of another superliner. I’m totally sick of this. Another night at the top of the tree swaying to and fro. This time the coffee and juice is not there. The current attendant is a guy who dodges us every chance he gets after he checks our tickets. We’ve packed our stuff back into our toilet-contaminated luggage now that we’ve had a chance to dry it off. What choice do we have? We settle down and wait for something to happen, like a meal or a bathroom break. Something smells. A burnt rubber kind of smell comes through the vent. We go outside and it’s also in the car. The smell is not to the point where you gag and choke, but at the level of perfect discomfort without immediately impairing your health. The smell fades the further back in the train we go, in this case when we go to dinner.

Once again at dinner we get shortchanged in choices, and the meals have gotten more mundane, or we have lost all hope and see things as they really are now, a mess of pre-prepared food material edible enough to keep you from starvation but little else. Our table companions end up being a couple with whom we have nothing in common and ignore us after the first few cynical exploratory social exchanges. Fine with us, I want to stare at my proto steak slime with imitation potato and unrecognizable gristle. I really would have preferred K and I having our own little table together and eating in private without the intrusion of total strangers you have to put up with for forty minutes and then never see again. It’s one of the few times we could actually stretch out and sit comfortably without the sardine effect.

Night falls, and the speed begins. We stoically try the sleep game again, but the swinging and swaying, combined with the loud noise and horn blowing produces the usual panic and fear. Only this time the burnt smell makes it even more unbearable, if that can be believed. Just when you think you can’t sink any lower, hell shows you the next level. K and I go through the usual panic and fear until we collapse from exhaustion and wake up at the crack of dawn announcement from the conductor that we bite the big one and have a lot more coming to us. I think I might be hallucinating from the smell.  We decide to skip breakfast and the shower, and instead sit waiting until our time on this hellride is up. We just don’t care anymore. Right now, the only thing keeping me alive is the faint knowledge that at some point in the future timeline of what ought to be mainstream reality, K and I leave this train and recover from the never-ending terror of hell.

The smell gets worse, and I complain to the attendant, who gives me a frightened look. He says it’s “nothing” and everything will be alright. He then speaks into his walkie talkie that “the passengers are noticing.” Noticing what?  The smoke drifting past our window, of course.  K and I gape at the smoke and try to think, but nothing happens.  Brimstone, anyone?  Like fries with that jack-up?  Then the couple in the Sleeper opposite ours start freaking out. “Damn, man, there’s a fire goin’ on in that car up ahead!” The smoke and fumes are getting pretty bad now, so me and K start rummaging through our luggage for something to break the glass with. The window does not open like it does in Silver Streak, and at this point I’ve had it with Amtrak, and it’s lousy service, crummy freak-out random encounters, slip-shod maintenance, awful food, and randomly determined fearful staff. May they all burn in hell, because we’re going to bust open the window and flee this nightmare before anything more happens to us. The panic and fear are so palpable, I can feel my stomach acid wanting to pop up and say hello.

Yeah, I know, we were on the top story of a fast moving train. That’s how insane we had gotten. But then something happens. The clock strikes at dawn, the rooster crows, and the devil has to close up shop for the day. The train slows down and comes to a stop. The conductor comes over the intercom and says we have stopped for a “technical repair” and that everyone should remain where they are. Yeah, right. But then the smell disappears and so does the smoke. The passengers are broiling like chicken soup on high. Then the train starts up again, and all is well. Fifteen minutes later, we pull into Union Station and disembark. Halleluiah.

My folks are there to greet us. K and I look like rat bags. They grab our smelly, spare luggage and help us escape the land of hell and drive us home, while we relate the story of our harrowing experience in small bursts. The folks laugh like leprechauns, and I realize it really is over, the war hell ride is OVER! I can go back to work and my everyday life and not worry whether I’m going to die for hours on end in a train sardine can filled with panic.

K and I recover from the shock and the fear, but I fear the memory of it has burned a scar in our psyche from which we can never recover. I will never willingly board an Amtrak train again. I hate flying, but at least it gets you from point A to point B in a reasonable amount of time, and the suffering is minimal. Most of all, it makes me sad to see such a valuable institution as the railways in America reduced to such a pathetic shadow of its former self.

A few weeks back, I saw in the news a derailment of a train in the Northwest between Seattle and Portland. All passenger service had to be redirected by bus to their connections, according to the article. I could only think of a cardboard box filled with Subway sandwiches, dropped in the middle of a starving mob of people.

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